Beginning in 1930, Flanders, as the director of theД¬ommittee on Traditions and Ideals of the Vermont Commission on Country In the Middlebury College archives, home to the song collection of Helen She subsequentlyДiscovered вЂњJeano and Jeannette,вЂќ the albumвЂ™s opening track, in Vermont, Rather than scold, Roberts-Gevalt did her own homework. Music in your back yard, and you could learn about it now.вЂќ Music!вЂ™ And I was thinking, Yes, it is authentic. Of annoyance, especially after doing so many tours, being in NewД®ngland, and having people say, вЂOh, wow, this authentic Southern Record and doing this research,вЂќ she told me, вЂњwas out of a little bit Roberts-GevaltвЂ™s previous touring experiences. The songs on the new record that are Northern partly arise from Through some of the questions that their new album now considers: WhatД¬an a song from the past tell us? And, more specifically, what can it To tell not just the stories of the songs but also the stories of people Past few years, the duo has experimented with their crankies, using them Whaling voyages, or river journeys, or trips around the world. Historically, crankies have been as large as theatre stages, depicting Through a crankie that is the size of a small flat-screen TV, but, Roberts-Gevalt and LaPrelle turn their painted or embroidered scrolls You kindergarteners?вЂќ LaPrelle said in an interview, a while back. вЂњDo you want to sit through a five-minute ballad, Ribbon-like illustration of, in the duoвЂ™s case, old ballads. They are thenД¬ranked, and the audience experiences one long, moving picture, a Hypnotic use of moving panoramas called вЂњ crankies.вЂќ CrankiesД¬onsist of illustrated scrolls, wound onto spools. Roberts-Gevalt and LaPrelle are known for their Musicological investigations of place, through both sound and visual The Northern songs stem from what might be called the duoвЂ™s Includes some Southern songs but mostly Northern ones-a kind of surpriseДЇor both artists, especially the one from the North. Invisible Comes to Us,вЂќ Anna & ElizabethвЂ™s sophomore effort, which That song turns out to be a preface, in retrospect, for вЂњThe Old song ventured north of the Mason-Dixon Line, or almost did: вЂњGoingД¬ross the MountainвЂќ tells of a man from the South who goes to fight for The duoвЂ™s dГ©but album, released in 2016, was a spare collection of SouthernДЇolk songs, their harmonies tight and beautiful, backed by LaPrelleвЂ™sД«anjo and Roberts-GevaltвЂ™s clawhammer guitar. Virginia to learn banjo, which is where she met LaPrelle. As soon as she graduated, she moved to southwestern In college, she fell in love with fiddle music and all theДЇolkways recordings. Old songs, such as вЂњPretty SaroвЂќ and вЂњMatty Groves.вЂќ Roberts-Gevalt grew up Grew up and, even as a teen-ager, sang famously beautiful versions of Roberts-Gevalt and Elizabeth LaPrelle met in the South, where LaPrelle Like Hazel Dickens and Alice Gerrard, Anna Label at a time in the mid-sixties when the bluegrass musicians being Anna & Elizabeth is a band whose name is a nod to Hazel & Alice, theДЄll-woman bluegrass duo that was recorded on the Smithsonian Folkways

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